August 9, 2011

Preface

Thursday night, the 2011 Seattle Seahawks will cross the threshold from theory to practice- We will finally get to see them clash with another NFL team in anger, and it will be a glorious evening. Keep in mind that the level of play is likely to be embarrassingly awful, and that the only unambiguously positive outcome of the game would be a lack of serious Seahawks injuries... Even with those caveats, I can't remember ever being this excited for a preseason opener before in my 28 years rooting for the Seahawks.

My main advice, particularly for newer fans? Try to resist the urge to overreact to everything that happens in Thursday's game. If T-Jack is awesome, don't run out and buy his jersey. If he sucks, don't assume we're destined for 4-12 either, and so on...

The best news has already happened- PCJS just pulled off the best free agent period in team history, and starting Thursday night we'll finally get to see our shiny new toys out on the field (albeit briefly). It's safe to say that the Seahawks front office isn't trying to "suck to get Luck." Yes, they decided not to spend precious draft picks on the best possible "bridge QB." I'd be dishonest if I told you I wouldn't rather be seeing Carson Palmer, Kyle Orton or Matt Hasselbeck under center Thursday evening- But the move to Tarvaris Jackson makes sense, and I think it has a better chance of working out than many in the national press (or even the Seahawks fanbase) are willing to admit.

I run into a lot of fans who say things like "I'm sick of going 8-8 every year," and that usually develops into some argument about how the team has to get horribly, pathetically crappy before it can be a Super Bowl contender. I don't think that's how the modern NFL works, and I think Pete Carroll understands this. You cannot crap away entire seasons "rebuilding." You MUST make an honest effort to field a competitive team, even in the middle of a total roster demolition- That's what Carroll did last year, and I sincerely believe the team will be better in 2011.

2011 is unlikely to be the greatest season in Seahawks history, but thanks to the tireless efforts of PCJS, it's laughable now to argue that '11 will be among the WORST seasons in team history either- The team has added too much talent, and gotten so much younger, bigger, and faster that it's hard for me to imagine the team going worse than 6-10.

You might find this goal for 2011 to be pathetically pedestrian, but here goes: I want the Seahawks to control their own destiny in the NFC West race going into the final two weeks of the season (which have Seattle hosting the Niners and then travelling to Arizona). If we are in that position, I think we'll win the West, simply because I think this team will get better as the season marches on. My intuition is that we are about an 8-8 team, a little bit better with good luck, or a touch worse with bad fortune. I think 8-8 this season would be a beautiful thing, whether it results in a playoff berth or not.

When we look back on 2011, it's probably not going to be among the most memorable campaigns in Seahawks history on its own- But I think it will be a chapter in a longer story- The epic tale of Pete Carroll's conquest of the National Football League.

Writing starts Thursday- and I think it's going to be a page-turner of a yarn.

August 5, 2011

When in Doubt, Quote The Simpsons

Our Seattle Seahawks are gaining a very good reputation for giving their fans free stuff- and today I was lucky enough to be on the receiving end of some of that generosity. Earlier today, the Seahawks promotional team (@winseahawks) tweeted this:

Autographed @BigMikeWill17 football here for the 12th Man! Why should we give it to YOU? Best response by end today's practice wins!

I saw that and thought- Why the hell not?? Then I banged out this response:

@winSeahawks I should get autographed BMW football b/c then I'll have three children- He will be called... Stitchface :) #simpsons #seahawks

If you aren't a Simpsons fanatic like me, that's a reference to the episode where Homer and Ned briefly become friends (Homer Loves Flanders). Flanders gets the game ball from the Springfield Atoms' QB, but gives it to Homer, who is overcome with gratitude and says "Now I have 4 children. You will be called.. 'Stitchface.'" That episode aired 17 YEARS AGO back in season 5 of the show, but like EVERY episode that aired during my college years, it was etched into my geeky little brainpan.

I didn't think I'd win, and I even saw some other responses I liked better- But I was chosen as the winner! Clearly, whoever runs @winseahawks is another huge Simpsons nerd. Just goes to show you, kids- Stay in school, and remember every line of dialogue from every TV show you've EVER watched, and good things will happen! When I get the ball in the mail, I'll share some pics of it with y'all.

Side note- Someone actually complained to @winseahawks that I "stole that line from The Simpsons." Yes, my intent was plagiarism- That's clearly why I included the #simpsons tag in my tweet.



Would You Like To Know More?

Home News: My Triumphant Return

That's me at Seahawks Stadium back in 2003, right before the opener against the Saints.

Back in March, when I was going to job interviews in Orlando (for a job I couldn't nail down- Fuck), AirTran decided to make my life difficult and cancel one of my flights. The ONLY good thing about this is that they ended up giving me one free round-trip flight, which I am going to use to come out to see the Seahawks regular season home opener on September 25th. Of course, they couldn't make THAT easy- I have to drive two hours north to fly out of Flint, MI to Atlanta, and then fly from Atlanta to Seattle.

Yay?

Anyway, I get into Seattle on Thursday September 22, and then I'll drive down to the Tri-Cities to see my family and catch my little brother's football game Friday Night in Kennewick. Hopefully, I'll get to see the Kamiakin Braves will drop the hammer upon the Kennewick Lions.

Then I'll head over the Seattle on Saturday to see my old college friends from Western, and on Sunday I'll hook back up with my brother and we'll be at Seahawks Stadium nice and early. We usually hit Touchdown City and then go down to the Seahawks tunnel once they open the gates- Don't be shy about saying hi if you spot us!

One way or another, I'll be sporting an "I'm Calling it Seahawks Stadium" t-shirt, even if I have to just get one made up on my own- Still no word from NO MAS NYC about whether they'll be printing those up. Wouldn't hurt to contact them if you are still interested in one of those shirts...

I'm very excited that I'll be coming out, and I should also be at the Browns game in Cleveland October 23. If there are home playoff games, I will be there- Not going to risk missing something like the Beastquake EVER again :)

What do you think, sirs?

Guest Post! HOF Saturday- An Ode to Ed Sabol and NFL Films

For the first time ever, we are having a guest blogger here on DKSB, and I couldn't be happier. Great stuff here from an old friend of mine on Ed Sabol and the staggering impact of NFL Films on all of our lives.. Enjoy!

Guest Blogger: Brad Nelson

To begin, I’d like to thank Johnny for the opportunity to serve as a guest blogger. His DKSB is a entertaining and informative blog. I hope my post below keeps with the tradition of high quality insights on football (and all things Seahawks, of course) that Johnny has established over the last few years.

On Saturday, the Pro Football Hall of Fame is set to induct another group of legendary men into its relatively tiny but hallowed and glorious building. Seven men (six players, one contributor) from different backgrounds, all of whom have made a lasting impact on the game. Admittedly, as a Bears fan, I’m happy that Richard Dent is finally getting enshrined; he should’ve been recognized as one of the game’s premier pass rushers long ago. He has the statistics (137.5 sacks), a signature game (MVP in Super Bowl XX), two rings (Super Bowls XX and XXIX), a signature move (the strip-sack, which he and LT popularized in the 1980s). And he was arguably the best and most feared defender on probably the greatest single-season defense (1985) in the history of the NFL.

But I’m most pleased that NFL founder Ed Sabol will finally get his day in the sun. I’ve been banging the drum for Ed–on Twitter, via messages to HOF voting members, and in conversations with friends–for the past decade. In my view, he has done more than anyone to popularize the NFL. Most significantly, it was largely through his vision and effort that the American public shifted from seeing the NFL as a corrupt, nasty and violent game (a major problem in the 1950s) to singing its praises as glamorous and essential viewing. Remember, at the time of the inception of NFL Films, pro football was at best on an equal footing with the college game, a notion that seems preposterous nowadays. Under Ed’s leadership, NFL Films helped to grow the game, attracting more television viewers, in-game attendees, and fans and adding billions of dollars to the league’s coffers. And NFL Films itself has become an extremely respected motion picture dynamo that’s unrivaled in any sport in any country around the globe.

In the early 1960s, Ed Sabol quit his job as an overcoat salesman and launched a company devoted to capturing professional football on film. Initially, his new venture was called "Blair Motion Pictures," named after Ed’s daughter. At the heart of this was Ed’s love of making movies. Indeed, Ed constantly tinkered with his motion picture camera, first producing short films of the mundane in the Sabol household and then eventually son Steve’s high school football games. In 1962, for $4000, Ed won the rights to film the NFL championship game between the Giants and Packers.

The timing and location of the 1962 championship is central to the formation of NFL Films. The game took place in New York on December 30. The brutal weather conditions were not particularly conducive to putting together a top-notch short picture for a bunch of young and inexperienced film makers. The freezing cold (game time temperatures were 13 degrees and dipped into single-digits as the game progressed) and high winds (gusts up to 40 MPH) made life miserable for Ed and his crew of cameramen (as well as the players). They struggled, as camera lenses constantly froze and film rolls cracked, and had to adapt to the weather on the fly. But in the end, they succeeded, and this was important for a couple of reasons. One, Ed and his men captured the 1962 Packers, one of the greatest teams in NFL history, on film in their finest hour. And two, the fact that they effectively did the job under such difficult conditions made Ed confident that his team could tape NFL games on a full-time basis. This was the start of what would be known by 1965, after the league purchased BMP, as NFL Films.

It’s rather startling to grasp the progress of NFL Films from its infant stages to the organization as it currently stands. In fact, to get an understanding of how far NFL Films has come, as well as the specific changes it’s implemented along the way, I encourage readers to check out the "Lost Treasures" series. Today, NFL Films is an omni-present force in football. It’s cameramen are everywhere and highly-regarded. It’s work is featured prominently on a host of ESPN stations, the NFL Network, HBO, Showtime, among other outlets. (Additionally, keep in mind that the Sabols have carved out a niche in other industries, such as the Olympic Games, the Ringling Bros. circus troupe, Harley Davidson, Sony Music, and more.) NFL Films DVDs sell very well. The way NFL Films has shot footage has influenced the way that contemporary football games are filmed and aired. And the soundtrack and the distinctive voice of NFL Films are pop culture sensations.

The guiding light behind NFL Films is an interesting character. Ed Sabol grew up in New Jersey, was an excellent swimmer as a teen, attended Ohio State, where he continued his swimming career, and even qualified for the 1936 Olympic Games. He reportedly declined the invite because the Games that year were held in Nazi Germany. And like many American men in the 1940s, Ed served in World War II.

Ed has been and still is an eccentric guy. One could see him in the early days of NFL Films wearing crazy multi-pocketed suits, smoking a cigar, and talking furiously to anyone and everyone. He’s energetic, garrulous guy. But that served him well. He was the networker, the recruiter, a schmooze. In this way, Ed formed connections to important people. He built a strong relationship with Commissioner Pete Rozelle. He pulled legendary voice and Philadelphia newsman John Facenda into the NFL Films orbit while drinking at a neighborhood bar. Ed developed a great bond with Packers coach Vince Lombardi. In fact, so great was this bond that Lombardi allowed Sabol’s crew to record him throughout the 1967 season. Four years later, Redskins coach George Allen (see video below) participated in a similar program for NFL Films. Rozelle, Lombardi, Allen, and other coaches and players backed NFL Films because they liked and trusted Ed; they believed he worked with the best interests of the NFL in mind. And without a doubt, they were right.



That said, it would be a mistake to undersell his creative vision for NFL Films. It was Ed who made the decision to create short football films that resembled in many ways the big Hollywood blockbusters of the 1960s. He sought something that was eye-popping–in terms of the visual footage, musical score, and the dialog. This was a sharp change from how pro football was typically presented. Prior to the emergence of BMP and NFL Films, NFL clips and highlights were packaged in a very dull and boring format by the teams themselves, with employees usually taking their cues from how evening news telecasts displayed content during sports segments.

In the end, Ed’s successfully implemented his ambitious vision, and that, in turn, effectively glamorized the NFL. He created a world in which kids, men, and women wanted a part of. How? Ed helped to create a new image for the NFL. Pro football wasn’t just a vicious and bloodthirsty sport. Sure, NFL Films didn’t avoid showing the big hits. After all, the organization has reams of film on such superstar aggressors like Dick Butkus and Night Train Lane and proudly shows this footage. But what NFL Films did do is open up a whole new side of the NFL that many Americans didn’t see before. Now, the game was also inhabited by aerial assaults by the likes of Johnny Unitas and Joe Namath; swift, balletic receivers like Lynn Swann and Lance Alworth streaking down field; opportunistic defensive backs like Willie Brown; and agile yet powerful running backs such as Walter Payton and Jim Brown. Grace, beauty, artistry gradually became buzzwords associated with the NFL, thanks to Ed and his crew.

It would be a gross oversight to leave out the role that Steve Sabol has played in the growth of NFL Films. Steve, hired by Ed, his dad, worked for years as a cameraman before moving up the organizational hierarchy. Steve brought a distinct and crucial aspect to NFL Films: he played college football (as a RB). Which meant that he brought an awareness and understanding of football to the film crew. As Steve began to take on a bigger role in NFL Films, he made sure to emphasize offensive and defensive line play in the organization’s videos and highlights, a piece of pro football that was usually far overshadowed by offensive glitz and hard hits. Lastly, we should not forget that Steve has been a great spokesperson for NFL Films. He is smart, articulate, and extremely knowledgeable about the history of pro football. And Steve’s passion for the game radiates through NFL Films telecasts and his other broadcast appearances.

As we know, NFL Films has left a significant impression on pro football, and some of its accomplishments I’ve already described above. Here, I’d like to discuss two more.

1. Amazingly, NFL Films has provided the iconic pictures (the short movies and highlights, of course), voice (John Facenda and Harry Kalas), music (Sam Spence), and language (scripts by Steve Sabol) of American pro football. So enduring are the contributions of Facenda, Kalas, and Spence that I believe each should be recognized somewhere in the Pro Football HOF. Unfortunately, a complete discussion of each of these components is beyond the scope of this blog post, though I do want to add a few words. If readers aren’t familiar with "Autumn Thunder," a 10-disc compilation of NFL Films music, I encourage them to check it out. There, you will find well-known and moving tunes like "Battleground," "Round-Up," "Journey to the Moon," "Wild Bunch," "The Raiders," and "Classic Battle." Furthermore, the narration of NFL Films has provided a number of brilliant, vivid lines. Here is an unforgettable quote, and a personal favorite: "Lombardi. A certain magic still lingers in the very name. It speaks of duels in the snow and cold November mud." Probably the most memorable set of lines comes from "Autumn Wind," a poem composed by Steve Sabol for "The Championship Chase," an hour-length video that collected highlights of the 1974 season.

2. NFL Films has gone behind the scenes and revealed worlds that were previously unknown. For instance, game planning and strategy, coaching, player development and acquisition are all familiar and knowable concepts at least in part because the organization has covered them in a thorough manner over the years. There are many examples of this, but the recent "Hard Knocks" series is likely the most prominent one. Just as important, individual profiles of football players, many of which show them on and off the field, have made these athletes relatable and knowable to fans, an extraordinary feat considering that players wear uniforms that cover their entire body and helmets that shield their faces. Yes, it was long thought that football, both college and pro, would lag behind baseball and even basketball because fans could see clearly see the players’ faces. NFL Films effectively worked to overcome this barrier.

On a final note, I’d like to share a few of my personal memories of NFL Films. As soon as I first watched an NFL Films program, sometime during the 1981 season, I was hooked. As a kid, I watched as many programs I could find on television: NFL Yearbook, Super Bowl highlights, Game of the Week, Inside the NFL, NFL Films Presents, among others. These programs quickly enhanced my knowledge of the game. And programs like "NFL Films Presents" provided an essential visual history of the NFL. Impressively, in the course of only a few hours, I was able to get a historical tour de force of key teams and players during several decades. To this day, my single favorite NFL Films movie is the 30-minute highlight package of Super Bowl XVI. True, this wasn’t a riveting game, as the 49ers built a 20-0 by the half, but it was the first Super Bowl I watched, so it still holds a special place in this football fanatic’s heart.

NFL Films also helped to bring some of my favorite players to life, creating a bond that continues to the present. As a kid, I loved running backs. Players like Walter Payton, Marcus Allen, Eric Dickerson and Curt Warner (yes, that’s right, Seahawks fans!) were my gridiron heroes. In an era absent constant football coverage, without the NFL Network or the Sunday Ticket, it was a special treat to see these players on television. Although it happened four years before I began following the NFL, I was able to catch Payton’s magical 275-yard performance (see video below). And whenever possible, I watched Payton in action in Chicago’s yearly Team Yearbook, the Game of the Week, and Inside the NFL.



I originally became a fan of Warner when he was running the ball as a young pup at Penn State. After he was drafted by the Seahawks in 1983, I continued to follow his career. His 1983 season was absolutely breathtaking (see video below). In just one season, he cemented his place as one of the top five running backs in the league. Certainly, I was bummed when I heard of his opening day knee injury against Cleveland in 1984. But he bounced back and had a very solid and at times outstanding career. Warner, in my opinion, is one of a handful of running backs from the 1980s (e.g., Billy Sims and William Andrews) who have been regrettably forgotten primarily because their careers were impaired by injuries. Fortunately, through the wonders of NFL Films programs on DVD, television, and online (You Tube, Hulu, etc.), we can relive the glory days of Warner, Payton, and any other of our favorite teams and players.



As should be evident, I’m a fan of Ed, Steve, and NFL Films. I’ve watched NFL Films for years. I value the work that organization has done. Ed’s induction will be a great moment. And this weekend should be a wonderful one for the Sabol family. Bravo, Ed! Here’s to many more years of wonderful NFL Films programming!

Brad is Co-Founder and President of Center for World Politics and Peace, a think tank on international politics. His work can be found on Facebook and Twitter. Brad has been a fan of pro football, and the Chicago Bears in particular, for the past 30 years.

August 2, 2011

Happy Days in Renton

“I took a visit, and my wife and I just loved it. I’m still kind of blown away.”- New Seahawks Tight End Zach Miller

The Seattle Seahawks will win the NFC West. There, I said it. After the best week of free agency in franchise history, this team is bigger, faster, younger- BETTER than they were just 8 days ago. Today's signing of Zach Miller wasn't the most important move by the VMAC brain trust this week, but it reinforced the theme of this offseason: When given a chance to upgrade this team, Pete Carroll and John Schneider will be absolutely relentless and ruthless in pursuit of that goal.

In Zach Miller they've snagged one of the best young Tight Ends in the league (and stole him away from the sub-human Raiders, which is a sweet little bonus). Either he'll be paired with incumbent John Carlson in some fearsome two-TE sets, or PCJS will flip JC for picks/players. Yes, Carlson is a fan favorite- Hell, one of my favorite Seahawks memories is meeting Carlson's parents at a game in 2009- But PCJS have clearly shown that they don't give a fuck about that noise.

Has there been any other week this stunning in team history? The departure of the best QB in team history, who also happened to be one of the most popular players to ever wear a Seahawks uniform... The signing of Robert Gallery and Sidney Rice, the retention of Brandon Mebane... The release of fan favorite and borderline Ring of Honor candidate Lofa Tautpu... Now Miller gets in the fold, and I'm not even mentioning additional moves, like the signing of Alan Branch, etc. In one chaotic week, it's clear that the Holmgren era is finally, truly over- These are the CarrollHawks now, and it's going to be a blast watching them learn, grow, and (hopefully) win this fall.

Most of the major moves have been to bolster the offense (which sorely needed shoring up), but the Seahawks still have the cap room and the ammo to make another big move- Isn't it electrifying to wonder what PCJS will come up with next? Defense aside, the success or failure of the 2011 Seahawks will be closely linked to the performance of Tarvaris Jackson. If he sucks? We're looking at 5-11 or 6-10. If he is ANY good? This team will be playing home games in January.

Like I mentioned in my last post, a good historical comparison is to Jon Kitna. Kitna's QB rating with the Seahawks (as well as his W-L record) is strikingly similar to T-Jack's career numbers thus far. While Seahawks fan tend to view Kitna's Seattle tenure through shit-colored glasses, the dude was good enough to lead Seattle to a 9-7 record and a division title in 1999. If Tarvaris Jackson could duplicate that, in the middle of a complete roster demolition and rebuild, Seahawks fans should faint from delirious joy en masse.

Yes, I admit part of me wonders "Holy shit! How good would Hasselbeck look behind that revamped line, throwing to Sid Rice, BMW and Miller?" But that's a moot point now- As much as I loved Matthew Hasselbeck, the dude is gone and in Tennessee blue. The good news is that Tarvaris Jackson couldn't possibly be more perfectly set up to succeed- He will be at the helm of a run-first offense, and when he does throw the ball, he won't be throwing to a collection of anonymous targets who are "just guys." T-Jack will be surrounded by offensive talent that simply hasn't been available in Seattle since the peak of the Holmgren era. If he can't resurrect his career under these circumstances, he never will. Best case? He goes all 2002 Tommy Maddox on Seahawks opponents this year.

What's next? I don't know, but I'm starting to assume it will be great news- PCJS have made me a believer.

What do you think, sirs?